Rovere Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Rovere Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Anna Castelli Ferrieri is the embodiment of the Italian creative philosophy that advocates designing “from the teaspoon to the city.” Castelli Ferrieri has contributed designs to both. Castelli Ferrieri started designing for Kartell in 1966, after being chosen as the architect for their headquarters. Famous for its critical role in the introduction to the consumer market of plastic as an acceptable material, Kartell was instrumental in bringing such innovative designers to Kartell as Joe Colombo, Marco Zanuso with Richard Sapper, and Achille Castiglioni. In her own designs for Kartell, Castelli Ferrieri exploited new materials through innovative forms. For her “4970/84” container elements, Castelli Ferrieri treated the design as a mini architectural exercise, with units that are stackable and interchangeable based on the needs of the new lifestyle of the 1960s. For her beautiful and useful designs, Castelli Ferrieri has won numerous design awards, including the prestigious Compasso d’Oro, but the fact that most of her pieces are still in production bespeaks the highest praise.
about the designer
Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Alessandra Baldereschi is Milanese and studied industrial design at the Domus Academy. She cooperates with various brands implementing lighting, décor and furnishings designs. Among her illustrious exhibitions: Triennale di Milano, Saint Etienne Biennal, Inside Design Amsterdam, Seoul Design Festival and Moss Gallery, New York.
about the designer
Donald Judd (1928-94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.
about the designer
Donald Judd (1928-94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
Martine Bedin is an industrial designer, artist, architect and teacher. She studied Architecture at the École d’architecture in Paris. In 1978 she received a scholarship that took her to Florence, where she met the members of the Radical Architecture movement: the founders of Alchimia, Superstudio and Archizoom Associati. The founder of Superstudio, Adolfo Natalini, invited her to exhibit ‘The Decorated House’ at the Milan Triennale in 1979, where she met Michele De Lucchi and Ettore Sottsass. At the beginning of the ’80s she spent two years in Sottsass’s studio, working on her own projects and writing for a French design and architecture magazine. In 1981 she was among the co-founders of the Memphis Group. Bedin works with various materials, such as marble, wood, metal, and ceramics. Her work is exhibited in major museums and private collections, such as the Musée des Arts Décoratifs in Paris, the Victoria & Albert Museum in London and the Manufacture Nationale de Sèvre.
about the designer
Martine Bedin is an industrial designer, artist, architect and teacher. She studied Architecture at the École d’architecture in Paris. In 1978 she received a scholarship that took her to Florence, where she met the members of the Radical Architecture movement: the founders of Alchimia, Superstudio and Archizoom Associati. The founder of Superstudio, Adolfo Natalini, invited her to exhibit ‘The Decorated House’ at the Milan Triennale in 1979, where she met Michele De Lucchi and Ettore Sottsass. At the beginning of the ’80s she spent two years in Sottsass’s studio, working on her own projects and writing for a French design and architecture magazine. In 1981 she was among the co-founders of the Memphis Group. Bedin works with various materials, such as marble, wood, metal, and ceramics. Her work is exhibited in major museums and private collections, such as the Musée des Arts Décoratifs in Paris, the Victoria & Albert Museum in London and the Manufacture Nationale de Sèvre.
about the designer
George J. Sowden is a designer and product developer. He studied Architecture at Gloucestershire College of Art in the ‘60s. He moved to Milano in 1970 where he started working with Ettore Sottsass and Olivetti. In 1981, he was one of the co-founders of the Memphis Group. In the same year he founded his design studio through which he developed his activity as a consultant for industrial design, while continuing to develop his research work. In 2010 he founded the SOWDEN brand. Sowden’s interest in working with craftsmen and small companies, as well as in the practice of design and decoration, began in the 1970s and continues to this day. In 1990 his experimentation and research are objects of the exhibition “George J. Sowden Designing 1970–1990” organized by the Musée des Arts décoratifs et du Design in Bordeaux.
about the designer
George J. Sowden is a designer and product developer. He studied Architecture at Gloucestershire College of Art in the ‘60s. He moved to Milano in 1970 where he started working with Ettore Sottsass and Olivetti. In 1981, he was one of the co-founders of the Memphis Group. In the same year he founded his design studio through which he developed his activity as a consultant for industrial design, while continuing to develop his research work. In 2010 he founded the SOWDEN brand. Sowden’s interest in working with craftsmen and small companies, as well as in the practice of design and decoration, began in the 1970s and continues to this day. In 1990 his experimentation and research are objects of the exhibition “George J. Sowden Designing 1970–1990” organized by the Musée des Arts décoratifs et du Design in Bordeaux.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
Corrado Dotti collaborated with Matteo Thun and Partners for clients as Aprica, Gedy, Technogym, Leucas and Rapsel, in 2002 he joined the Armani Casa team. In 2006 he is art director for Natuzzi, creating its new collections. Since 2010, working as free-lancer in the field of industrial design and interior design.
about the designer
Corrado Dotti collaborated with Matteo Thun and Partners for clients as Aprica, Gedy, Technogym, Leucas and Rapsel, in 2002 he joined the Armani Casa team. In 2006 he is art director for Natuzzi, creating its new collections. Since 2010, working as free-lancer in the field of industrial design and interior design.
about the designer
Alba Gallizia graduated at Milan’s Politecnico in 1985, she was professor assistant at the Architectural Composition course of IUAV, Venice. In 1993, she begins her independent professional carreer in many different areas, working on architectural, interior and furniture design, corporate image, and design.
about the designer
Alba Gallizia graduated at Milan’s Politecnico in 1985, she was professor assistant at the Architectural Composition course of IUAV, Venice. In 1993, she begins her independent professional carreer in many different areas, working on architectural, interior and furniture design, corporate image, and design.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
MIST-O Noa Ikeuchi, Japanese, and Tommaso Nani, Italian, have a bond made of empathy and design, in which simplicity and rationality meet in a contemporary frame. The meeting and union of different meanings and symbols is at the center of their philosophy. Objects and relations arise from these encounters.
about the designer
Corrado Dotti collaborated with Matteo Thun and Partners for clients as Aprica, Gedy, Technogym, Leucas and Rapsel, in 2002 he joined the Armani Casa team. In 2006 he is art director for Natuzzi, creating its new collections. Since 2010, working as free-lancer in the field of industrial design and interior design.
about the designer
Corrado Dotti collaborated with Matteo Thun and Partners for clients as Aprica, Gedy, Technogym, Leucas and Rapsel, in 2002 he joined the Armani Casa team. In 2006 he is art director for Natuzzi, creating its new collections. Since 2010, working as free-lancer in the field of industrial design and interior design.
Mimosa Table by Memphis Milano
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
Mimosa Table by Memphis Milano
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
about the designer
Now in its fourth generation, this family-run company continues to use all the original materials and handcrafted techniques handed down through the generations since its founding in 1903. Famed for its collaboration with artists and designers, from the Futurist Filippo Tommaso Marinetti in the 1930s, to its current partnership with renowned Italian designers, the Mazzotti firm prides itself on its unique ability to manufacture exquisite collections to the exact specifications of artists and designers.
about the designer
Now in its fourth generation, this family-run company continues to use all the original materials and handcrafted techniques handed down through the generations since its founding in 1903. Famed for its collaboration with artists and designers, from the Futurist Filippo Tommaso Marinetti in the 1930s, to its current partnership with renowned Italian designers, the Mazzotti firm prides itself on its unique ability to manufacture exquisite collections to the exact specifications of artists and designers.
about the designer
Maarten Van Severen studied architecture at the Art Academy in Ghent. He designed his first furniture pieces in 1986 and in the following year established an independent workshop, where he pursued the limited, semi-industrial production of his own furniture designs. In 1990, he began to collaborate closely with Rem Koolhaas and also turned his attention to interior design tasks. The beginning of Maarten Van Severen's collaboration with Vitra in 1996 marked a new phase in his career. It offered him the opportunity to work with new materials and also brought a much wider degree of exposure and influence. Until his death in 2005 in Ghent, Maarten Van Severen developed a range of new designs for Vitra, which have progressively entered series production.
about the designer
Maarten Van Severen studied architecture at the Art Academy in Ghent. He designed his first furniture pieces in 1986 and in the following year established an independent workshop, where he pursued the limited, semi-industrial production of his own furniture designs. In 1990, he began to collaborate closely with Rem Koolhaas and also turned his attention to interior design tasks. The beginning of Maarten Van Severen's collaboration with Vitra in 1996 marked a new phase in his career. It offered him the opportunity to work with new materials and also brought a much wider degree of exposure and influence. Until his death in 2005 in Ghent, Maarten Van Severen developed a range of new designs for Vitra, which have progressively entered series production.
Ebano Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Ebano Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Faggio Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Faggio Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Broccoli Bowl, 1985.
about the designer
Marco Zanini graduated in Architecture from the University of Florence in 1976 and completed his studies in the United States. In 1977 he began collaborating with Ettore Sottsass in Milan. Zanini was one of the co-founders of Memphis in 1981, and designed works for all the collections. He designs ceramics, jewelry, furniture, and blown-glass objects. Founder together with Sottsass of Sottsass Associati, he is the Design Manager for many projects: office furniture for well-known brands, residential interiors, showroom interiors, exhibition design, street furniture and industrial products for a wide range of clients in Italy and abroad. He works as architect and designer in Japan, the United States, Australia, New Zealand, Colombia, Chile, and Spain. His works are to be found in numerous museums and private collections. Zanini holds frequent conferences on industrial design. Today he lives and works in São Paulo, Brazil.
Broccoli Bowl, 1985.
about the designer
Marco Zanini graduated in Architecture from the University of Florence in 1976 and completed his studies in the United States. In 1977 he began collaborating with Ettore Sottsass in Milan. Zanini was one of the co-founders of Memphis in 1981, and designed works for all the collections. He designs ceramics, jewelry, furniture, and blown-glass objects. Founder together with Sottsass of Sottsass Associati, he is the Design Manager for many projects: office furniture for well-known brands, residential interiors, showroom interiors, exhibition design, street furniture and industrial products for a wide range of clients in Italy and abroad. He works as architect and designer in Japan, the United States, Australia, New Zealand, Colombia, Chile, and Spain. His works are to be found in numerous museums and private collections. Zanini holds frequent conferences on industrial design. Today he lives and works in São Paulo, Brazil.
Carrot Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Carrot Vase
about the designer
Nathalie Du Pasquier worked as a designer as part of the Memphis Group until 1987, producing patterns, textiles, decorated surfaces, and furniture. Since then, her main focus and passion has been painting. Over the past thirty-five years, Du Pasquier has been intrigued by the relationship between objects and the spaces in which they are installed. This ongoing investigation has manifested in paintings, sculptures, designs, patterns, constructions, carpets, books, and ceramics—constantly acting between the representational and non-representational, the tangible and intangible, reality and imagination, and two- and three-dimensional forms.
Memphis Tahiti Table Lamp
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
Memphis Tahiti Table Lamp
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
SQ5853816
Calice Vase by Ettore Sottsass
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.
SQ5853816
Calice Vase by Ettore Sottsass
about the designer
Ettore Sottsass was a product designer and architect who had an enormous influence on Italian design in the second half of the 20th century. Sottsass was born in Innsbruck, Austria, and moved with his family to Italy so that he could study architecture at Turin Polytechnic University. In 1980, Sottsass co-founded the Milan design group Memphis with fellow avant-garde designers Andrea Branzi, Alessandro Mendini, Martine Bedin, and Michele de Lucchi. Aiming to promote radical design, they produced brightly colored, geometric, and often anti-functional furniture, lighting and ceramics. His work belongs to numerous public collections around the world, and continues to inspire young designers.